While shirtless Strand Festival goers were already waiting for Majka’s concert, which envisions the destruction of the middle class in her native Mexico, in the concert hall of the Pannonhalmi Abbey, Sandor Bazzani spoke with literary historian Géza Röhrig. The special talk was hosted by the Arcus Temporum festival, where many Benedictine monks have once again stepped out of their comfort zone this year.
Humility does not mean thinking less of yourself, but it means thinking less of yourself, a luxury that a homeless person cannot afford because his circumstances do not allow it.
He said Son of Saul His main character when his personal poems for the homeless Angel mole Its size has been discussed. There is still a middle class here or there, the poet believes that we need to realize that – because of their weak position – at the forefront of the homeless people's minds, we only find the next meal, the bathroom, the problems that need to be solved have been solved for the moment, and the other person is almost gone, and this is precisely what deprives them of the ability to communicate. Asked about his diversity, he stated that if he were a very wealthy person, he would have stopped acting long ago, but poetry will probably accompany him throughout his life.
Saul the Cruel
Rohrig also spoke about how he watched the film again many years later in the company of twenty-six young people living in foster homes in Transylvania. Son of Saul The movie. Perhaps to the surprise of many, he talked about how uncomfortable he was with the Sonderkommando character he portrayed after rewatching it.
Saul is antisocial, and it is unacceptable that he does not see who is to his right or left. We did not want to show an ideal person, and we did not want to present a biography of a saint… He is a person who is not infallible, but now I am very disturbed by his focus, which is accompanied by a kind of insensitivity
“I asked for three days to think before accepting the role,” said Roehrig, who viewers can next see in the role of Jesus in the new film by world-famous director Terrence Malick. “I approached a rabbi with whom I often disagree, but he still gave me his opinion. The rabbi told me not to take the role because he feared the film would portray the Pharisees in a schematic way.” Malick’s film about Jesus, which, according to the actor, will be three hours long and was shot in seven different countries over three months, is set to premiere at the Cannes Film Festival next year. He sees Malick as a creator comparable to Tarkovsky, but the film’s success is still in doubt because of the difficulty of the subject matter.
to believe at a 45 degree angle
Naturally, the question of faith was also a topic. “It’s ridiculous to play Jesus as a human being,” said the Kosuth-winning actor, then recalled what Benedictine monk Olofsson Placide had said. Röhrig maintained a good relationship with Father Placide, who warned him that Christians can make two mistakes: either their faith is too worldly or it is too worldly. The poet found the solution:
You must believe at a forty-five degree angle.
A highlight of the conversation was that Geza Röhrig read from his soon-to-be-released novel, and based on what we heard, we can say that readers will be able to get their hands on a promising novel.
(Cover image: Peter Papagsik/Index)
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